Monday, September 25, 2017

BACKSTROKE OF THE WEST

Over the weekend, I went to the Museum of Contemporary art. I've wanted to view Murakami's exhibit, since its opening a month ago, but I did not make it my priority so I did not have any other opportunity to view but this past weekend, as the show came down of Sunday. Well... I waited too long. By the time I got to the MCA register, tickets were sold out for Saturday and Sunday. Really really disappointed! I made a donation of $1 and went in to see what's new.

Almost immediately I encountered Michael Rabowitz's exhibit "Backstroke of the West" (https://mcachicago.org/Exhibitions/2017/Michael-Rakowitz). I read that Rabowitz is a Chicago-based artist and that this is his "...first even museum survey..." who makes work "...that explores recent contested social, political, and cultural histories..." I learned that he grew up with an Iraqi-Jewish mother and a NorthAmerican father.


I entered the large room and immediately I found myself immersed in the land of current conflicts and clash of cultures. The exhibit is vast and delivers what the statement explains in a clear and bold, confronting the viewer with history of our times which all of us are part of.
And he explains that how the exhibit at large "...collectively address how art can be a space of reconstruction...    

With the many paper cache sculptures he revives "destroyed and looted objects"and post the question of how art can heal bleeding wounds.

As an artist and art psychotherapist, I can see how the work exhibited could have been a healing space for the artist. I do question though, viewers participation in the artist's healing space .... I left the exhibit wondering about the impact of the show on the viewers ...

If you are around... this is a show to see over and over ... much to see... a lot to process ...


Sunday, September 17, 2017

BROKEN BORDERS


847.922.5736
I want to invite you to the opening
of this show, where Mirtes (Brazil), Sharon (Canada), and myself (Argentina) will exhibit work based on the topic of displaced population. It opens on Friday October 6th in a new gallery located in Logan Square, in Chicago.

My work is symbolic in that uses shoes, birds, floating paper to challenge the viewer to connect these object metaphorically with the idea of displacement.

The bird indicative of freedom, forces us to question the meaning of freedom for those displaced from their homeland... Where freedom locates in populations
hit by war, poverty, hunger, despair,
fear, anxiety ...?....

The shoes as symbol of movement, walking toward what?... where?... when?... The shoes are almost reminders of dancer shoes ... why?...

And then the papers ... so much talking these days about legality and paper... papers... papers... all floating in warm air. Would it be hope some place?....

Monday, September 11, 2017

WELCOME BLANKET

Few weeks back my friend Virginie told me about the Welcome Blanket project, a participatory project organized by the Smart Museum, Chicago with the goal of distributing the blankets to refugees.

In response to the 45th president of USA regarding the building of a wall at the border with Mexico, Jayna Zweiman, Los Angeles-based designer and artist, "... developed Welcome Blanket to inspire creative and critical responses to current issues around immigration, cultural displacement, and geographic relocation... Representing the distance of the wall in lengths of yarn, participants across the United States will create lap blankets and accompanying notes of welcome for new immigrants as well as for refugees seeking resettlement, a craft based response to the current administration's policies..." The galleries at the Smart Museum serve "as a receiving station where blankets are sorted, and exhibited..." until they are given away.
Over the weekend I dropped my blanket and I also worked for two hours entering the immigration stories and messages people sent with their blankets. Arduous work, tiring on my eyes but very rewarding to read the stories of immigrants from all over the country.

I truly love this kind of participatory communal artistic activism- it speaks of me as an artist and it also reflects my Mennonite background (my parents were Mennonites). Participating in the project was a total enjoyment. Here is my blanket. A 40"x40" crocheted yarn that I called "Mandala Blanket"





I chose strong, bold, vibrant colors (characteristic of my paintings in general) as to represent the vibrant, powerful energy of the Latino culture. If you look closely, you will notice that the entire blanket is made of circular (mandala) shapes- symbol of wholeness, unity, and completeness. I also incorporated triangles shapes symbolizing the body-mind-spirit connection.

The "Welcome Blanket" will feature a series of public programs bringing together artists, activists, and academics to discuss the important issues embedded in this project and "... and explore opportunities for response and action."

You can find a"Welcome Blanket" FB page, and also in Instagram to get updated information.


                                                       

Monday, September 4, 2017

WHAT ABOUT CROCHET?...



In my early teens I took upon crocheting. It brought me certain comfort and mental relaxation. So much that I used to crochet  in class during the long high school lectures that I totally despised such as math!. The result of many years of crocheting squares was a very nice -king sides wool blanket, that I am still using.

But ... really, my crochet enjoyment began at the edge of elementary school, when I decided to work on a series of "escarpines" (bootees) for my  father to sell in my behalf so I could have my own money!

The oil painting "Escarpines" from the series "Memories on Canvas", speaks about that moment in my life, as a slice of time frozen in that little bootee, that held the promise of having my own money to spend.

"Escarpines"-detail. BL 2015 (c)
Since those days, the crochet skill was dormant until this past January 2017, when the 45th took the oval office.

Listening to the news has been a source of extreme distress, some times more and some time less, emotional and intellectual distress. I began wearing earplugs to avoid listening to USA political news, covered my ears with my hands, or left the room where the TV or radio was on. None of it brings a sense of living in a rational/logical/normal space!... (topic for another discussion...)

It was then that I brought out of the closet my crochet needles .... I thought about the knitting my mother used to do every year, with two long needles... She used to knit us sweaters and scarfs mostly. Her image, the sound of the needles hitting each other while she knit, the silence surrounding the space she sat ... all that resonated in my mind as a single musical note... meditative note... focus and concentration.



It was then that the "beanie hat project" began. I embarked in the "beanie hat project" with my dear friends in mind. Each of them were going to receive a beanie hat crocheted by me!.

I began by asking my closest friends about the colors they liked the most, and then slow I began working on it- one beanie hat at the time. I noticed how relaxing my mind became; how comforting it was to have the news in the background but not being taken by them.

Since then, many of my dear friends, based in USA and South America, have received one of crochet beanie hat. And for their pets, there were also crochet treats - small scarf.

This "beanie hat project" is an ongoing project for me. It comes and goes like waves. Out of the blue, in conversation with a friend, I may ask the question "what color do you love?...", and their responses bring a smile to my heart. I know then that, if my heart is smiling, a beanie hat will be on its way to her/him.

But there are other project with crochet that I am involved with now ...


Next time, I will tell you what I am working on right now. For now.
I leave you with some images for you to guess...